Okey-Dokey

Well, well, well. Are any of you going to post yet?
Jon, I've made you admin, so you can invite anybody you have email addresses for. Ha ha ha.
And Andrew: You're right about George Lucas' Title-ness. So, as I said, we discuss title later on. My Scots drunk is better than my ordinary drunk by a long shot. Mostly 'coz I know scots drinking music.

Time Travel -- how do we do it? Why do we do it?

I agree, Andrew, that we should have a wee prologue.
And definitely, every character has a different reason for why they call him "the Pirate."

I think we could meet Jingles' mentor in flashback shots, and mebbe a later one, too. Gregorio Rastafar, the Pirate. Later the Prophet Rastafar. Only with him, no one knows why he's called the prophet.

Perhaps Gregorio can reveal why Jingles is called the Pirate. And everyone will go, ahh...
And he will leave.
And somebody says, "So why do you suppose they call him the Prophet?"

We definitely need to do the
Group-of-characters-break-up-one-by-one-into-individual-fight-scenes-and-we-keep-cutting-back-and-forth thing.
And King Ben will play chess with his clone?
Checkmate. *Pow* right in the kisser.

When a clone dies, we cut so that a white sheet falls to floor. Special Effects, you know. I'll have to show you what I mean.

Maybe the clones, you know, there are too many, so we send one character back in time to stop them before they begin. Jingles could miss and end up too far back when Benheim was a Great Desert. And he could be right when Dennis is making the clones, and be too late. And Jingles could then go back, say when Dennis is a little boy, and change a critical flashback scene with a teddy bear or something.

These are just thoughts.
We should, if we can, use leit-motif in the music -- certain stuff for each character...Or, a certain style. Mebbe w/father benedict, we begin w/gregorian chant and scene-by-scene switch to Scots Music.